英国波顿大学论文代写：红色电话亭
英国波顿大学论文代写：红色电话亭
城市环境一直是艺术家的地方，在他们的背景下，不同的作品的表现进行了研究。当考虑艺术属于谁，也有问题，它是否属于博物馆，公众，艺术家或自己。本文认为，艺术属于它创造或安装的空间。艺术形式的城市空间是理解艺术意义的空间，它的视觉符号学的确受到城市空间的影响，因为社会参与是由这种艺术形式所创造的。本文介绍了伦敦城市景观中的两个这样的艺术形式，英国的红色电话亭在特拉法尔加广场的蓝色大公鸡是两个城市的艺术形式探讨。讨论的重点是如何意义的艺术空间的基础上，它位于。
英国的红色电话亭不知何故成了描绘英国和英国人民的象征。这些红色的盒子在英国人心中有着特殊的地位，因为他们认为这些盒子是他们历史背景设计的一部分。这个盒子最初是在1920作为公共电话亭设计的，在当前人们已经转向手机的时代，它没有任何实际用途。小红盒子的古怪的设计有一个号码的粉丝（城市，2012）。然而这也成为野蛮人的目标。这些盒子在当今时代没有用。既然它已经成为描绘英国的一个图标，人们希望找到一些它的用途。有一种与生俱来的情感价值，所以人们不想抛弃它。这个盒子被介绍时被认为是一项新发明，但现在情况发生了变化。人们和当地社区试图找到一些用途，这些盒子，为了保持他们已经转化为艺术形式，一些与可用性的感情（英国广播公司，2009）。这些盒子已被转换成亭，借阅图书馆，甚至公共厕所和艺术品。盒子的设计已经变成了原创和创新。
英国波顿大学论文代写：红色电话亭
The urban environment has been a place for artists, where the presentation of different works has been studied in their context. When considering who the art belongs too, there have been questions of whether it belongs to the museum, the public, the artist or itself. This essay argues that art belongs to the space for which it is created or installed. The urban space in which the art form is installed is the space to understand the meaning of the art; its visual-semiotics is indeed influenced by the urban space because social participation is created by such art forms. This essay presents two such art forms in the urban landscape of London, Britain’s Red Phone Box and the Big Blue Cock at Trafalgar Square are the two urban art forms discussed. The discussion focuses on how meaning is given to the art based on the space in which it is situated.
Britain’s red phone box has somehow become the symbol to depict Britain and British people. These red boxes have a special place in the hearts of the people of Britain as they consider these boxes as a part of their historical background design. This box was originally designed in 1920 as a public telephone booth and it has no real use in the current era where people have switched over to mobiles. The quirky designs of the red box have a number of fans following (Urban, 2012). However it has also become a target for vandals. The boxes have no use in the current times. Since it has become an icon to depict Britain, people wanted to find some use for it. There was an innate sentimental value attached to it so people did not want to discard it. The box when introduced was considered a new invention but now things have changed. The people and the local communities are trying to find some uses for these boxes and in order to preserve the sentiments they have converted them into art forms, some with usability (BBC, 2009). These boxes have been converted into Kiosks, lending libraries, even public toilets and art pieces. The boxes designs have been changed into something original and innovative.
