代写：动画电影的运用元素

代写：动画电影的运用元素

根据Chris Renaud的说法，概念化过程涉及到来自远程工作的团队成员的大量协作，并提供了他们关于饲养宠物的经验(Sarto)的输入。这被联合导演认为是这部电影背后的原因之一，这部电影本质上不是关于猫或狗的，它们在这类电影中经常获得特权地位。就其本身而言，这部电影发展成为一个美丽的，多色调的宠物，猫，狗，豚鼠，兔子，整个范围，精确;尽管用他们自己独特的方式讽刺。尽管雷诺提出了关于反叛组织的想法，即被社会边缘化的宠物“红毛宠物”，但他还是有意识地运用他关于“宠物等级制度”的想法。

代写：动画电影的运用元素
狗显然是被当作宠物饲养和首选的动物。雷纳德讲述了他的大学生活经历，这些经历在某种程度上帮助他收集和编织了所有这些相关的经历。关于他的媒介和他决定发展他的电影的方式，雷诺讨论了关于喜剧时机的问题，与术语“卡通”的用法有关，这个术语经常以一种相当贬义的方式使用。然而，对于雷诺来说，真正起作用的是这些被认为是漫画式的方式来识别他作品中的滑稽元素，当然，宠物的秘密生活也不例外(雷诺)。

代写：动画电影的运用元素

According to Chris Renaud, the conceptualization process involved a lot of collaboration from the team members who worked remotely, and provided their inputs with regards to their own experiences of having pets (Sarto). This has been cited by the co-director to be one of the reasons behind the movie being not essentially about dogs or cats, who often get privilege status in such movies. The movie, as such, develops into a beautiful and multi-hued portrayal of pets, cats, dogs, guinea pigs, rabbits, the whole gamut, precisely; albeit caricatured in their own distinct ways. Even while developing the idea about the rebel group, the socially marginalized group of pets “The Flushed Pets”, Renaud had worked consciously with his idea about a “pet hierarchy”.

代写：动画电影的运用元素
where dogs are obviously the ones that are kept and preferred as pets. Renaud relates his college day experiences that somewhat helped him in gathering and weaving all these relatable experiences about the same (Giardina).With relation to his medium and the ways in which he decided to develop his movie, Renaud discusses the issue of comic timing with relation to the usage of the term “cartoon” that is often used in a rather pejorative way. For Renaud what truly works, however, are these supposed caricature-ish ways of identifying comical elements in his works, and certainly, The Secret Life of Pets is no exception (Renaud).