加拿essay代写：电影表现手法

加拿essay代写：电影表现手法

新雕像揭幕的电影开场用了高超的摄影技术，捕捉了近380名群众演员的精彩镜头。这张照片是在一个开阔的地方拍摄的，所以不太需要灯光。然而，摄像机被完美地从各个角度(斯奈德)捕捉到整个场景。这部电影的故事是基于一个盲人女孩和一个小流浪汉。在整部电影中，盲人女孩误以为流浪汉是有钱的赞助人，但当女孩的视力恢复后，他的身份就被暴露了。这一幕被称为“电影中最精彩的时刻，也是作者詹姆斯·阿吉(James Agee)最精彩的表演之一”。

加拿essay代写：电影表现手法
这一幕非常感人，因为流浪汉的手很结实，女孩认出了她，她的情绪在镜头中被奇妙地捕捉到了。镜头在小流浪汉眼中的渴望与恐惧和花童眼中的温柔与困惑之间摇摆。卓别林还用“车门的声音”来描绘流浪汉的错误身份。在拍摄了一年半的电影后，卓别林产生了使用门的声音的想法。这个场景很简单，但它的拍摄和录制是如此的精彩，以至于整个故事(德曼)都感动了。

加拿essay代写：电影表现手法

The opening scene of the film where the new statue was unveiled was shot extravagantly using good camera techniques to capture the crowd of almost 380 extras. The shot was taken in an open area hence the lighting was not much needed. However, the camera was beautifully used to capture the entire scene from all angles (Snider).The film’s story is based on a blind girl and the Little Tramp. All through the movie, the blind girl mistook the Tramp as the rich sponsor, but his identity was revealed when the girl’s sight was recovered. That scene was called as the “highest moment in films and one of the finest pieces of “acting” by the author, James Agee.

加拿essay代写：电影表现手法
The scene was quite emotional as the tough of Tramp’s hand, the girl recognized her and the emotions were fantastically captured in the camera. The camera swings between the mixture of longing and fear in the eyes of Little Tramp and the tenderness and confusion in the eyes of the flower girl (DeMain). Chaplin also used the “sound of a car door” to depict the mistaken identity of the Tramp. Chaplin got this idea of using the door’s sound after one and a half years of filming the movie. The scene was quite simple, but it was shot and recorded so brilliantly that it gave a motion to the entire story (DeMain).