论文代写：电影《冰雪奇缘》分析。在这个分析中，论文代写将会探讨电影《阿拉丁》(1992)和《冰雪奇缘》(2013)中父权观念的变化以及童话故事的方方面面。可以看出，这两部电影叙事主题的变化反映了这两部电影叙事主题的变化。我们可以理解这二十年来所讨论的社会变化。在这两部看似无害的儿童电影中，所宣称的现有的社会意识形态发生了变化。这些可以通过探究来理解在社会中观察到的社会变化。接下来论文代写专家将对电影《冰雪奇缘》进行以下分析。
“电影作为一个‘梦想机器’是一个熟悉的概念，暗示着一个幻想的领域，愿望的实现”(Sabbadini, 2005)。
童话实际上是一种意识形态的象征，是一种存在于社会中的通俗叙事主题。它们实际上是社会中人的道德和行为的化身。这些被发现是基于社会中被接受的叙事而不断变化的(Bottigheimer, 2014)。
可以说，人类问题的真相源于个体与心灵的接触。不可忽视的是，现在有一种进步的文化，它反映了社会中不断变化的文化。当王室的长子是女孩时，她们可以像男孩一样发挥作用。然而，童话故事的创作往往是关于幻想的生活方式，它试图创造一个人在现实生活中遭受贬低的人物形象。在过去的叙事结构中，女孩是处于困境中的少女。他们经常被怪物或黏糊糊的野兽带走。女孩们最后被主人公救了。在所有的叙事结构中都可以观察到隐含的真理。最初是暗指故事中的女孩需要被拯救，需要一个男性伙伴来拯救她们的愿望，这是这些商店的一个突出方面。童话故事的核心相似之处在于，它们突袭了社会政治对立的更强硬的基础。这些通常表现在前现代欧洲人的意识形态上。女性主义意识形态的兴起、多样性以及进步思想的融合，使得人们更加关注故事中典型女孩角色的变化。在这个过程中可以观察到隐含的个性化(Zipes, 2014)。荣格认为，个性化存在于人类发展的核心过程中。必须包含存在于每个人身上的神秘和精神领域(Tan, 2013)。荣格心理学可以用来理解社会中发生的个性化以及发展个体心理生活的重要性。
从《冰雪奇缘》(Frozen)和《阿拉丁》(Aladdin)的故事中，我们可以清楚地看到这些意识形态是如何被解析到魔法王国的。具有讽刺意味的是，这也是现代社会普遍存在的现实意识形态的一部分。这些童话故事是人们在日常生活中遇到的真实的社会问题，以及人们试图解决他们个人问题的方式。女性主义的暗喻与社会中不断变化的动态叙事主题在这些结构中流露出来。我们需要深入研究这些问题，以理解其微妙的含义。
“Cinema as a ‘dream machine’ is a familiar notion, implying a realm of fantasy, of wish-fulfilment” (Sabbadini, 2005).
Fairy tales are actually the symbolization of the ideology and the popular narrative themes that are existed in the society. They are actually the personification of the morality and the behaviour of the people in the society. These are found to be constantly changing based on the accepted narratives in society (Bottigheimer, 2014).
It can be argued that the truth in the human problems arise from the engagement of the individuals with the psyche. It cannot be discounted that a progressive culture is present that reflects upon the culture that is ever so changing in the society. When primogeniture of the royal families was girls, they were able to function just as well as the boys. However, the creation of fairy tales are often about fancy lifestyle and it tries to create a persona of the devaluation that an individual suffers in real life. In the past narrative structures, the girls were the damsel in distress. They were often taken away by monsters or slimy beasts. The girls were saved in the end by the protagonist. An implied truth can be observed in all of the narrative structure. It was originally alluded that the girls in the story needed to be rescued and the need for a male counterpart to save their aspirations were made to be a prominent aspect of these stores. The core analogy of the fairy tales is that they foray in to the tougher substrate of the socio-political opposition. These are usually manifested from the pre-modern European people ideology. The rise of the feminist ideology, diversity and the amalgamation of progressive thoughts have made the people to be more focused on the changing role of the typical girl in a story. Implied individuation is observed in this process (Zipes, 2014). According to Jung, it stated that the individuation that exists in the central process of human development. It is imperative to encompass the mystical and spiritual areas that are present in each person (Tan, 2013). The Jungian psychology can be used to comprehend the individuation that occurs in the society and the importance of developing the life of the psyche of the individual.
From the story of Frozen and Aladdin, it is evident as to how these ideologies have been parsed into the enchanted realms. Ironically, it is also a part of the modern day real ideology that pervades the society. These fairy tales are the real social issues that the people encounter on a daily basis and the ways in which the people try to address their individual issues. The hidden analogy of feminism and the changing dynamic narrative theme in the society are exuded in these structures. These need to be probed to understand the nuanced implications.
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