Performance is a highly general concept. It can be applied to any aspect of the musical production. To define the notions of performance in a musical context is expressions of music in a way that the composer deems it to be good. Performance by an artist is usually an eclectic mix of the individual potential, freedom of the artists along with the Meta obligations of the artists. From this arises the notion of performance obligations. In this the individual performers and artist needs to come up with a representational theme that is appreciated by the audience along with preserving the individual uniqueness of the artists. According to the author the final rendering of the performance is an amalgamation of its original origin, notation, instruments, tonality, tempo, risk taking and recapitulation. The writer has divulged these issues in detail. There are a lot of explanations given along with definition of each of these terms.
From this the most interesting aspect from personal insights is the risk-taking component that is involved in performance. There are many notions in which music can be created and expressed. Nevertheless, the risk-taking concept is what defines unique and establishes precedence of the individual innate talent of the composer. It helps the performer to think beyond the realms of obligations and enables more autonomy in the construction of music. It is not limited to any one factor rather it embodies the true free spirit of the performer. While taking risks, the performer can essentially alienate the audience from the musical compositions. This is the real risk element that is present in the music. Nevertheless, the lack of risk taking endeavors can also lead to the musical composition to be monotonous and homogenous in approach. Hence, this aspect of musical construction is considered to be the most interesting.
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