罗浮堡大学:女性气质

罗浮堡大学:女性气质

女性摄影师以伪装、扭曲和背离的形式来认识女权主义的概念,重塑自我形象的传统,反映了自己身体的转变,宣称作为公众的任何身份,她们的女性气质可以被理解为特定的伪装(Chatterji, 2012)。在一种不断变化和矛盾的面具下,总是隐藏着自我。辛迪·舍曼的主要目的是保持她作品的模糊性,同时把与电影有关的关键内容封闭起来。在当今女权主义理论家的时代,女性凝视的机会正以更大的规模被讨论。正如谢尔曼的作品所阐明的那样,女性凝视的主要功能是通过父权制的视角来揭示传统形象。

罗浮堡大学:女性气质
父权制的公共场所影响着故事电影的结构。正因为这个原因,这些女性通常被客观地看待,而不是因为一般的存在需要魔法般地依赖于主张切割的想法(Glantz, 2013)。由于缺少男性生殖器,女性的身体特征将受到伤害。快乐是产生于那些对那些有责任的人的心理愿望的表征而这些对那些受影响的人最终会影响到汤姆的窥视癖的想法。这结合了这些目的,图片被物化的视觉愉悦。在同样的意义上,某人对自己所看到的事物进行了性刺激。

罗浮堡大学:女性气质

Female photographers recognized the concept of feminism in the form of a disguise, distortion and departure point to restore the tradition of self-portrayal reflected the transformation of own bodies for proclaiming that as any identity of the public, their femininity can be understood with respect to specific disguises (Chatterji, 2012). There is always concealing of self behind an ever- changing and ambivalent play of masks. The key purpose of Cindy Sherman was focused on preserving the ambiguous nature of her work while enclosing key aspects related to a film. In the current era with theorists of feminism, the chance to correspond female gaze is being discussed at a larger scale. As clearly demonstrated by the works of Sherman, the primary function to be performed by female gaze is paradoxically exposing the repertoire of traditional image by the perspective of patriarchy.

罗浮堡大学:女性气质
The public arena for patriarchy affects those structures of story film. Because of this reason, those lady can be generally objectified for gazing not bearing as the general presence need magic reliance upon the idea from claiming mutilation (Glantz, 2013). Mutilation will be alluded concerning illustration physically characterizing ladies because of the absence of penis for them. Delight is generated all the particularly for those representational of mental wishes over those liable about guys that is influenced eventually Tom’s perusing the idea of scopophilia. This incorporates those purpose that picture is objectified at visual delight. In the same sense, somebody is subjected with one’s sexual incitement as to what they look at.

 

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