投資 論文：藝術風格的融匯

投資 論文：藝術風格的融匯
甚至巴勃羅·畢加索也被發現放棄了這種藝術風格，儘管他是這種藝術形式的早期先驅之一。它在世界各地的影響顯示了立體派的影響，以及它是如何被不同的文化所詮釋的。這說明立體主義只是一種表現工具，主要依賴於原始藝術家的表現。這種藝術形式在亞洲的影響確實是獨一無二的，對各種藝術形式的描繪依賴於藝術作品的原作者。高惠東是一位學習西方油畫技法的韓國畫家。他將這些繪畫風格融入到傳統的韓國繪畫風格中。他以獨特的視角分析了韓國古代畫風的概念，並與歐陸畫風相結合。這創造了一個獨特的空間組織和對象的分佈。這種獨特的視角使他能夠創作出更新穎的藝術作品。他基本上創造了一種新的藝術形式，一種兼收並蓄的文化混合。 Ko的階級背景使他理解和獲得知識的細微差別油畫。他去日本學習新的西方繪畫風格。
回國後，他發現這項新技術受到了韓國社會的嚴厲批評，並沒有被接受。為了避免批評，他恢復了傳統正統的韓國繪畫。他把注意力轉移到用原始主義的意識形態發展藝術上，而沒有放棄他在油畫中學到的意識形態。他決定表達他所有的藝術工具，並形成新的表現形式。在這個設計中，他使用了油畫技巧，並在描繪中相互影響的燈光和陰影。這體現了藝術家作為社會一份子的適應性和猜想。有反思的意識形態和文化影響在Ko的作品。自畫像的Ko獲得了大量人氣。有廣泛的分析和調查,在分析Ko的作品。藝術家的自畫像表現出明顯的元素失衡。藝術家有意地運用這個概念。他運用了元素的描繪，並使用了不同形式的反射。在這部作品中，我們觀察到了許多隱含的意義和內涵。除此之外，還有刻意使用的色彩和描繪，簡單地表達了藝術衡量標準的不同。

投資 論文：藝術風格的融匯

Even Pablo Picasso was found to abandon this artistic style even though he was one of the early pioneers of this art form. Its influence across the world shows the impact of cubism and how it was interpreted by the different cultures. This shows that cubism is only a tool of representation that primarily depended on the original artist to make the presentation. Asian influence of this art form is truly unique and the depiction of the various art forms depended on the original creator of the art works. Ko Hui-Dong was a Korean artist who had learnt the techniques of western oil painting. He has incorporated those styles of painting into traditional Korean styles of painting. He had a unique perspective that he had analyzed the concepts of ancient style of Korean painting and combined with the euro style. This created a unique spatial organization and distribution of the objects. This unique perspective allowed him to create newer innovative art works. He had essentially created a new art form that was an eclectic mix of cultures.Ko’s class background enabled him to understand and gain knowledge about the nuances of the oil paintings. He had gone to Japan to learn about the newer western styles of painting.
After his return, he found that this new technique was heavily criticized and not accepted in the Korean community. To avoid criticism he resumed painting in the conventional orthodox Korean painting. He had shifted his focus to developing art using primitivism ideologies without abandoning the ideologies that he had learnt in oil painting. He had decided to express all his artistic tools and form new representations. In this design he however used the oil painting techniques and interplays the lights and shadows in the depiction. This shows the adaptability and the conjecture of artists to be a part of the society. There was reflection of the ideologies and cultural influences that was seen in the works of Ko. Self-portraits of Ko have gained a lot of popularity. There was extensive analyses and investigations that has been done while analyzing the works of Ko. The self-portraits of the artists show a distinctive imbalance of the elements. The artist deliberately manoeuvred this notion. He had played with the depiction of elements and had used different forms of reflections. There are many hidden levels of meaning and connotations that has been observed in this work. Apart from this, there is a deliberate use of colors and depiction that simply expresses that the standard of measurement of art is found to vary.