研究论文代写：《托卡托》乐章演奏

研究论文代写：《托卡托》乐章演奏。《托卡托》出版于1932年，当时这位亚美尼亚作曲家正在莫斯科音乐学院与Miaskovsky学习作曲。大提琴快板在一开始表现为一种强烈的节奏，“这段演奏速度快，强调很明显。”它有非常活泼和强大的节奏驱动力从一开始就确立了，这是大提琴快板的开始4/4小节有四个节奏单位从一个四分音符加速到8个点音符。重复是这样的，从一种和声到另一种和声的乐章被注意到，但是音色和节奏保持不变。因此，当音乐开始时，这些就成为了一个非常显著的特征。接下来研究论文代写专家将为同学们分享下《托卡托》乐章演奏。

降e小调Toccata是Khachaturian创作的钢琴独奏作品，是Toccata，华尔兹-摩羯座和舞蹈作品三乐章的一部分。随着时间的推移，托卡塔逐渐被认为是一个独特的音乐主题。托卡塔的风格取材于亚美尼亚的民间旋律，形式和节奏取材于巴洛克技巧，始于马卡西莫快板。该形式包括一个中央部分Andante espressivo，并包含一个大约5分钟的代码。

当有一个过渡到第二节时，阻塞和弦中断了运动。现在这一段中出现了三连音的重复音因此重复音的大小不同。随着低音中琶音的下降，过渡最终戛然而止。大提琴快板演奏速度较快，而中曲“浓汤行板”与第一段和过渡段相比，表现出适度的缓慢，有表现力。

他早年对许多东方乐器和民间音乐的尝试带来了许多即兴创作。然而，年初的实验从未真正完成。事实上，它们更多的是小的形式，只有当托卡塔被创造出来时，他才真正地扩展了它。Toccata是一种与民间音乐紧密联系的剧目，被认为是源自亚美尼亚民间音乐的最好的即兴创作。

The Toccata in E-flat minor is a solo piano piece written by Khachaturian, and was part of a three-movement piece that was written as Toccata, Waltz-Capriccio and a dance piece. With time the Toccata came to be recognized as a unique musical subject on its own. The style of the Toccata draws from Armenian folk melodies and the form and rhythm is drawn from baroque techniques, and begins with the Allegro marcatissimo. The form includes a central section Andante espressivo, and comprises a code of around 5 minutes.

The Toccatto was published in the year 1932 when the Armenian composer was studying composition with Miaskovsky at the Moscow Conservatory. The Allegro marcatissimo presents itself as a strong rhythm in the beginning, “This is played fast with very marked emphasis. It has very lively and powerful rhythmic drive establishing itself from the very beginning of the Toccata, which begins Allegro marcatissimo” It has four rhythmic units in a measure of 4/4 which accelerates from single quarter noted to dotted eight notes. The repetition is such that, a movement from one harmony to another is noticed, however the timbre and the rhythm remains the same. These hence become a very salient feature when the music opens.

Block chords break the motion as there is a transition to a second section. Now this is the section where there is triplet repeated note instead and repetitions takes up different sizes hence. The transition eventually crashes to a halt when it comes to a descending arpeggio in the low bass. While Allegro marcatissimo is played fast, the central section Andante espressivo, as compared to the first and the transition section shows moderately slow movement with expression.

His experimentation with many eastern instruments and folk music he listened to in his early years led to much improvisation. However, the early year experimentation was never really complete. In fact, they were more of little forms and it was only when the Toccata was created that he really expanded on it. The Toccata was a repertoire with strong connections to folk music and it was considered the finest improvisation with roots in Armenian folk music.

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