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英文论文代写:街头时尚

英文论文代写:街头时尚

人们经常用流行的、流行的、流行的、流行的、时尚的、街头的时尚等词来描述时尚的现象。许多人对时尚的理解仅限于上述几句话,或者是一种含糊不清的混合物,或者是其中的一种。街头时尚目前没有一种大众流行的语言来理解(Okonkwo, 2016;佩里&塔,2013)。如果一个人忽视了时尚街时尚发展的历史,就会考虑到一系列的主观扩张。例如,唐代的胡风在街头流行,属于街头时尚。与此同时,目前的街头时尚是基于更现代的潮流(Kuang-Ying & Hackley, 2013)。这种理解忽略了两者之间的本质区别:大型生产加工背后的商品和商品的公共时尚仙境。

英文论文代写:街头时尚
一是消费文化的本质,追求一致和服装的主题是公共服装公司,是全球时尚一体化和统一的远大目标(Rook, 2016)。另一个则更具社会意义。街头时尚造就了特立独行的个性群体。有些人认为这是他们对阶级、金钱或地位的反对(Baptiste, 2012)。他们利用街头时尚,反对社会结构划分的基准。其他人可能会用街头时尚来追求自我满足,享受个性的体验,他们的终极目标不是融合,而是创造一个公共时尚的叛逆(Hinerasky, 2012)。在这一点上,可以说街头时尚是原创的,但同时,社会影响力也可以被用来主张街头时尚适应变化的环境(Arbuckle, 2010)。

英文论文代写:街头时尚

People often use fashionable, popular, fashion, pop, fashion, street fashion and other words to describe the phenomenon of fashion. The understanding of fashion of many is limited to the above few words, or a vague mixture or one of the words. Street fashion does not currently have a public prevailing language for its understanding (Okonkwo, 2016; Perry & Tower, 2013). If one is to ignore the history of the development of fashion street fashion, a range of subjective expansion would come into consideration. For instance, the Tang Dynasty Hu Feng popular in the street scenes belong to street fashion. At the same time, current street fashion is created based on more modern trends (Kuang-Ying & Hackley, 2013). The understanding ignores the essential difference between the two: a public fashion wonderland of goods and commodities behind the machining of large-volume production.

英文论文代写:街头时尚
One is the nature of consumer culture, the pursuit of consistent and clothing the same as the subject is public fashion clothing company and their lofty goal of global fashion integration and unity (Rook, 2016). The other has more social significance. Street fashion hence creates maverick personality groups. Some present it as their opposition to class, money, or status (Baptiste, 2012). Using street fashion, they oppose the benchmark of the division of social structure. Others might use street fashion to pursue self-satisfaction, and enjoy the experience of individuality, their ultimate goal is not convergence but to create a public fashion rebel (Hinerasky, 2012). In this, it could be said street fashion is original, but at the same time the social influence could also be used to claim street fashion adapts to changing conditions (Arbuckle, 2010).

 

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