爱尔兰都柏林大学圣三一学院论文代写
爱尔兰都柏林大学圣三一学院论文代写：分析电影“范海辛”
听众应该感觉到，这正是他们在这种情况下会发生反应的方式。他们应该主要是能够吸引和唤起激情的故事。幻想电影有增加的负担，出现现实。像戒指主这样的电影能够从根本上将观众传递到另一个维度。他们应该是有趣的和可靠的，以类似的方式，可以看到，海辛达到这个效果。
幻想会使意义，当人们初步了解术语和用电影中的术语。该术语不应该很有技术，一般人无法理解。在戒指的幻想元素主背景是从神话（Barker和Mathijs），这使观众了解和参与更容易。同样，在Van Helsing的情况下，德古拉伯爵和吸血鬼的概念是什么，广大的观众已经意识到，鉴于作品和电影已经围绕布莱姆·斯托克的演讲（斯托克）。
当人们能够以主要的故事线连接，并能够肯定地参与了主要的故事线，那么他们变得更加活跃的观众。积极的观众是积极参与故事情节的成员，并作出了很多努力去理解。积极质疑为什么某个事件必须发生在电影的故事情节，他们质疑为什么主角选择了一个特定的选择等被动的观众谁不被电影打动了不经意的成员。他们没有任何见解提供。他们不想参与电影，他们看电影来分散自己的注意力（夜莺）。被动的观众应该转化为积极的观众。电影人的辉煌在于被动的观众数量，他们能够转换成活跃的观众。幻想要吸引观众，让观众了解故事情节中。
爱尔兰都柏林大学圣三一学院论文代写：分析电影“范海辛”
The audience should feel that that is exactly how they would have reacted in the situation. They should primarily be able to entice and invoke passion in the story. The Fantasy movies have the added burden of appearing realistic. The movies like the Lord of the rings were able to fundamentally transport the audience to another dimension. They should be interesting enough and relatable and in a similar way it can be noticed that Van Helsing achieves this effect too.
The fantasy will make sense only when the people primarily understand the terminologies and the jargons used in the movie. The jargons should not be very technical that the average person cannot understand. In the context of the Lord of the Rings fantastical elements were draw from Mythology (Barker and Mathijs), this made it easier for viewers to understand and become involved. Similarly in the case of Van Helsing, the concept of the Dracula or the vampire is something that the majority of the viewers are already aware of, given the writings and movies that are already built around Bram Stoker’s presentation (Stoker).
When the people are able to primarily connect with the main story line and are able to definitely be involved in the main story line, then they become more active audiences. Active audiences are members that participate in the storyline actively and make a lot of effort to understand. The actively question why a certain event had to take place in the movie story line, they question why the main protagonist chose a particular alternative etc. The passive audiences are the nonchalant members who are not swayed by the movie. They do not have any insights to offer. They do not want to be involved in the movie they watch the movies to distract themselves (Nightingale). The passive audience should be converted into an active audience. The brilliance of the filmmaker lies in the number of passive audience they were able to convert into active audience. The fantasy should draw in the viewer and make the viewer engross in the storyline.
