論文代筆:海頓鳴奏曲

論文代筆:海頓鳴奏曲
海頓奏鳴曲在他的鍵盤音樂中扮演著最重要的角色。 F大調奏鳴曲(xvii .23)是六首奏鳴曲中的一首(Hob.XVI:21-26),創作於1773年,在他為他的保護神尼古勞斯·埃斯特哈齊王子工作的近三十年裡。這套六首奏鳴曲是出版商在他的監督下出版的第一部作品。我們可以從埃斯特哈齊宮廷的音樂中推測出王子的音樂品味傾向於加蘭特風格。加朗特的音樂風格以其簡約的音樂風格和以其形式為特徵的大眾號召力為代表。它與巴洛克晚期截然不同。在這種情況下,複調的短週期相減少了。它利用了和聲詞彙的概念,本質上幫助獨奏者和音樂的輔助元素的容易辨別。海頓的這些作品引起了王子的興趣。由於這一點,音樂的流行因素增加了相當多。在海頓的作品中,有一種折衷的音調混合。為了進一步闡明,海頓經常使用三重奏奏鳴曲循環。


論文代筆:海頓鳴奏曲
人們注意到,海頓經常以標準的維也納三重奏奏鳴曲周期來組織這些樂章。它的特點是慢-快小步舞曲。在這次捐贈中也有中速慢板和快速板的證據。第一樂章再現是煽動的,輕鬆的,主題,隨後緊接著第二樂章抒情和緩慢的舞蹈風格6/8。最後,它以一個非常快節奏的激動的第三樂章結束。萊頓的五篇研究作品Op.22創作於1953年。 1957年3月,埃里克·帕金在倫敦威格莫爾音樂廳首次演出。這部作品讓人聯想到肖邦和李斯特的研究,有五部名家的研究作品,其中有一個華麗的人物。這是一個令人難忘的表演,華麗的元素和根深蒂固的敘事,只有經歷音樂才能感受到。這篇文章的特點是不死板教條。儘管音樂的演奏與十二音調一致,但似乎音樂是色彩學的,被認為是無調性的。

論文代筆:海頓鳴奏曲

Haydn Sonatas play the most important role in his keyboard music. The sonata in F major (XVI.23) is one of the set of six sonatas (Hob.XVI:21-26) composed in 1773, during his almost thirty years work for his patron Prince Nikolaus Esterházy. This set of six sonatas was the first work printed by the publisher under his supervision. We can speculate from the music used in the Esterházy court about the Prince’s musical taste inclined to the Galant style. Galant style of music was epitomized for its simplistic style of music and the mass appeal characterized by its form. It was starkly different from the late baroque era. In this there was a decrease of the polyphony, short periodic phases. It utilized harmonic vocabulary notions and essentially helped in easy discernment of the soloist and the ancillary elements of the music. These works by Haydn, managed to capture the interest of the Prince. Owing to this the popularity factor of the music increased considerable. There was an eclectic mix of tones that has been represented in the renditions of Haydn. To elucidate further the trio sonata cycle was often used by Haydn.


論文代筆:海頓鳴奏曲
It was observed that the movements were often organized by Haydn in a standard Viennese trio sonata cycle of the time. It was characterized by the Slow-Fast-Minuet. In this donate there is also evidence of the Moderato- Adagio and Presto. The first movement renditions is to incite delightful,light-hearted, themes that was subsequently followed by a lyrical and slow second movement in 6/8 dance style. Finally, it ends with an excited third movement in a very fast tempo.Leighton’s Five Studies Op.22 was composed in 1953. First performance is in Wigmore Hall, London March 1957 by Eric Parkin. This work is a reminiscent of Chopin and Liszt’s studies, with five virtuosic studies and it essays a flamboyant character. This was a haunting rendition of the flamboyance of the elements and the deeply entrenched narrative that can only be felt with experiencing the music. Characteristic features of this composition were that it was not rigidly doctrinaire. Even though the musical rendition is in accordance with the twelve-tones it seemed as though the music was chromatics and perceived to be atonal.

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