英国普雷斯顿论文代写：青年文化
英国普雷斯顿论文代写：青年文化
从另一个时尚的照片，从另一个是它的能力，把所有的元素共同创造一个品牌形象和一个独特的身份，是不存在于任何其他品牌。这些照片使用一组艺术元素，像一个不同的场景画的面孔黑色的背景下，这张照片。色彩范围，设置的风格和元素定义美的艺术形态的构成（拉尔，n.d.）。
只是一个精心制作的图片是不相关的获得足够的消费者或附加一个品牌价值。“商业摄影中的创造力、运动和创意”（罗德，2003）将一系列同时尚品牌的身份联系在一起。如前所述，产品本身的本质是由艺术的质量和图像结合的。“这“艺术”是一个形象的股票选择的画廊艺术鼓动者创造情感与动机而忽视其他目标，如教育和对抗”（罗德，2003）
蔚蓝的青年文化将黑暗的一面普遍安装在青年亚文化中，作为一种为自己创造一个独立的身份的方式，他们可以自由地享受高端时尚的爱好，给他们自由，能够实践自己的风格。黑色和蓝色的颜色是最喜欢的青年介绍在这个广告作为一种吸引他们对品牌（科恩，2011）。黑暗和蒙面人也表明，青年要融入社会，它穿着帽衫。另外，连帽衫与犯罪相关的（英国广播公司，2006）。
这张照片是以一种平衡的方式，在它的元素是不对称的。背景图像在那里，但艺术家让主要模型站在身边的生活，他们站在一个随机的位置，以产生一个非对称的平衡。他用三规则很好，把最重要的对象，三分之一在图像的方法。非对称的平衡是由三分之二的规则，并有助于确保图像的种类和清晰度（科恩，2011）。
英国普雷斯顿论文代写：青年文化
The thing that separates one fashion photograph from the other is its ability to bring together all the elements collectively to create a brand image and a unique identity that is not present in any other brand. These photographs use a set of artistic elements like a different scenario of painting the faces black with the context of this picture. A range of colour, set of style and the composition of elements that define beauty on the art form (Rall, n.d.).
Just a well-crafted picture is not associated to getting enough consumers or attaching a brand value. “Creativity, movements and ideas within commercial photography” (Rhodes, 2003) associate a set of identity with the fashion brand. As noted earlier, the essence of the product itself is incorporated by the art quality and imagery. “This ‘art’ is an imagecreation that shares a select set of goals of gallery art—to agitate the observer creating emotion andidentification—while neglecting other motives, such as education and confrontation” (Rhodes, 2003)
The Azure-Youth culture associates the dark side commonly fitted in the youth subculture as a way of creating a separate identity for themselves in which they can freely enjoy the likes of high-end fashion which give them freedom to be able to practice their own way of style. The black and blue colour being the favourite of youth is introduced in this advertisement as a way of attracting them towards the brand (Cohen, 2011). The darkened and masked faces also show that the youth wants to blend in the society so it wears hoodies. Also, hoodie is associated with being a criminal (BBC, 2006).
This photograph is framed in a way that the balance of the elements in it is asymmetrical. The background image being there yet the artist lets the main models standing come to life around it by them standing in a random position to generate an asymmetrical balance. He uses the rule of thirds very well by placing the most important objects one thirds of the way across the image. The asymmetrical balance is achieved by the rule of two thirds and contributes in assuring the variety and sharpness of the image (Cohen, 2011).
