代写assignment：台湾影视业的变化
代写assignment：台湾影视业的变化。台湾影视业将时代变化的技术带给人们，创造了与大陆和香港更好的社会融合。这本身就是一种社会效应。台湾电影电视业过去常常与大陆和香港的工人合作。这种工作背后的原因是不同地区在文化、语言和历史上的相似性。在台湾播放的电影和电视连续剧更多地代表了地区方面的同化。历史剧呈现了不同地区共有的元素。虽然台湾观众整体的兴趣表现确实有所下降，但不可否认的是，新技术的引入导致电影制作方式更加激进。电影的短期制作和发行已经完成。接下来代写assignment将为同学们讲解下台湾影视业的变化。
台湾电影产业在社会方面的发展得益于经济发展的方式。然而，需要注意的是，社会发展在一开始并不是那么可感知的，在某种程度上，社会本身阻碍了生产。早在2000年之前，当台湾电影开始得到一定的认可时，人们就认定人们对影视产业缺乏信心，“导致人们对影视产业失去信心”。一些影评人指出，台湾电影人总是随心所欲，没有考虑到台湾电影市场。一些电影界人士批评政府的电影政策，特别是有关补贴的政策，并认为政府的援助越多，台湾电影业的处境就越糟糕”(Hsia, 2011，第13页)。一些大公司被认为是在国际基础上运作的，而其他主要迎合本地受众的国家则受到了缺乏支持的影响。在台湾影视产业中，媒体所承担的社会发展角色受到了挑战。
2006年，这位台湾电影制作人创造了一个新的愿景。直到2006年，电影制作更多地集中在导演的视觉上。导演想要表现的通常是核心主题。重点是导演的视角，而不是观众的需求。导演在电影制作中强化了跨国电影的概念。在台湾的金马奖中，评委推荐了娱乐电影。评委们不希望导演们只专注于制作导演的理想。评委会的这些评论为电影制作提供了新的视角。台湾电影制作只注重国际认可。在任何形式的业务增长中，本地市场的利益都将受到关注。只有当企业在本地市场表现良好时，它们才能在相互影响的基础上表现良好。以台湾电影市场为例，电影制作人曾一度放弃了本土制作利益。当地文化和当地观众的需求被忽视了。对跨国电影制作的需求得到了重视。然而，这影响了它们对国内市场的贡献，也阻碍了它们在国际上的成功。
The Taiwanese film and Television industry introduced to the people the changing technology of their times and created better social integration with Mainland China and Hong Kong. This in itself is a social effect. Taiwanese film and Television industry used to work cooperatively with workers from Mainland China and Hong Kong. The reason behind such working is the similarity in culture, language and history between the regions. Movies and televised series that were presented in Taiwan were used to represent more of an assimilation of regional aspects. Historical dramas presented elements that were common to the different regions. While a decline in the overall interest representation of audience of Taiwan was indeed noticed, it cannot be declined that the introduction of newer technology led to making of movies in a more radical way. Short term making, and release of movies were done.
The Taiwanese film industry has improved development in social aspects because of the way how economic improvements have happened. However, it is to be noted that social developments were not that perceivable in the start, and in some ways, the society itself deterred production. In the early days before 2000 when the Taiwanese movies started to get some recognition, it was identified that people did not have much confidence in the movie and television industry, “leading people to lose confidence in them. Some film critics have pointed out that Taiwanese filmmakers always behave willfully and fail to consider the Taiwanese film market. Some workers in the film industry have criticized the government’s film policy, especially regarding subsidies, and have suggested that the more the government assists, the worse the situation becomes for the Taiwanese film industry” (Hsia, 2011, p. 13). A few companies that made it big were seen to have worked on some international basis and other countries that catered primarily to the local audience suffered without support. The role for social development that the media usually undertakes was challenged in the case of Taiwanese televsion and movie industry.
A new vision for the movie maker of Taiwan was created in 2006. Until the 2006, movie making was more focused on the vision of the director. What the director wanted to portray is usually the core subject. The focus was on the director perspective and not the needs of the audience. The director enforced transnational movie concepts and more in the movie making. In the Golden Horse Awards in Taiwan, the jurors recommended the introduction of movies that entertained people. The jurors did not want directors to only focus on producing the director’s ideals. A new vision was reached in movie making with these comments from the jurors. Taiwanese film making focused only on international affirmation. In any form of business growth, the local market interests will be focused on. Only when the business is doing well in the local business market can they then be expected to do well in the interactional grounds. It is identified that in the case of the Taiwanese film market, the movie makers had forsaken local production interests at one time. Local culture and local audience needs were ignored. The demands of transnational movie making were given much importance. However, this affected their contributions to the domestic market and also deterred their international success.
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